Parallel parking while your date watches quietly will break your spirit
You pull up beside a silver hatchback. You click the indicator. Then you reach out and turn the volume knob all the way down to zero.
By Dani Cruz
· 4 min read

You pull up beside a silver hatchback. You click the indicator. Then you reach out and turn the volume knob all the way down to zero.
Everyone does this. The human brain cannot calculate a reverse angle while a song is playing. You need silence to see the curb.
Your date was in the middle of a story about a coworker. The sudden quiet cuts them off mid-sentence. They fold their hands in their lap. They stare straight ahead through the windscreen. They are trying to give you space to concentrate, which is polite, and which immediately ruins your evening.
Ten seconds ago, you were doing well. You made them laugh in the pub. You had good opinions about films. You were steering with one wrist draped over the wheel. Now your chin is three inches from the glass and your shoulders are level with your ears.
The silence turns the car into a courtroom.
You lose the ability to speak
Charisma requires blood flow to the face. The moment you shift into reverse, all of that blood rushes to the back of your neck.
You cannot keep a conversation going. If your date asks you a question right now, you will answer with a grunt or you will hit a lamppost. Your brain has shut down every non-essential system. Humour is gone. Charm is gone. Basic vocal grammar is gone. You are just a nervous system trying to put two tonnes of metal between an Audi and a tree.
You turn your head to look over your left shoulder. You put your left arm over the back of the passenger seat. In old movies, this move looks confident. In a small car, your elbow is two inches from their ear. You smell faintly of nervous sweat. You breathe through your mouth because your nose is working too hard.
You check the wing mirror. The space looked huge from fifty yards back. Up close, it looks narrow. You check the rear mirror. You check the side mirror again. You have checked each mirror four times and learned nothing new.
Your date clears their throat. The sound fills the entire cabin.
The curb does not care about you
You cut the wheel hard. The car rolls backward at two miles per hour.
You are waiting for the rear tyre to find the gutter. You want a clean glide that leaves you four inches from the stone. That was the plan.
Instead, there is a sharp thud.
The back tyre climbs the curb. The whole car tilts five degrees to the left. The jolt moves directly up your spine and rattles your teeth.
You have two choices here. You can pretend you meant to do that, or you can drop your forehead against the wheel. Most people choose a third option, which is to pretend nothing happened. You put the car into first gear, yank the wheel the other way, and pull forward three feet with your teeth clamped tight.
Your date remains completely still. This is the worst part. If they laughed, you could laugh too. If they swore, you could blame the gearbox. They do neither. They sit without moving. They are pretending they did not just feel the car bounce off the pavement. Their politeness is excruciating.
Now you try to tuck the nose in. You cut the wheel again. You roll back. The back tyre misses the curb this time. The front of the car is still sticking out into the road at an angle.
A white delivery van pulls up behind you and stops.
The driver does not honk. He leaves his engine running and sits three feet from your bumper, watching you work.
You now have two spectators. One of them is someone you want to kiss. The other is a man in a high-vis jacket who has four parcels to deliver before seven o'clock. Both of them are watching you struggle.
Walking four blocks is always the right answer
You put the car in reverse again. The steering wheel feels heavy. You roll back two inches, then tap the brakes because you are convinced you will hit the van. Then you put it in first gear and creep forward two inches.
This is the moment where you give up.
You are hot under your coat. The windows are starting to fog up because both of you are breathing too fast. You have made seven small adjustments and the car is in the exact same spot it was three minutes ago.
A sensible person knows when to quit.
You take the car out of reverse. You put it in drive. You flick the right indicator back on and ease out into the lane.
"Actually," you say, your voice an octave higher than usual, "I think there is a better spot around the corner."
Your date nods. "Good idea," they say. They are lying to protect your feelings. You both know it.
You drive three streets away. You find an empty bay next to an industrial bin. The bay is sixty feet long. A bus could park in it sideways. You roll straight in without turning the wheel once.
The walk back to the restaurant takes fifteen minutes in the rain. Your shoes get wet and your date's hair goes flat. None of that matters. You are on foot, your hands have stopped shaking, and you never have to turn the wheel backwards again.
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